The portraits and still-lifes by the Hungarian photographer Andi Gáldi Vinkó ​have gained international recognition in recent years. Her latest project, titled “Paradisco,” is a series of “sociological portraits” taken in the last five years. In a recent article in the magazine Photograph, Elisabeth Biondi, a former director of photography at The New Yorker, wrote of the project, “It captures the underlying quest in her photographic pursuits–to record the general unease experienced by people of her generation as well as their pleasures and joys.” -Thea Traff [The New Yorker]